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The Contessa

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Sinopsis

Celebrity, seductress, covert diplomat. Virginia Verasis, Contessa di Castiglione, was the original "famous for being famous" It Girl. This thrilling, transporting biography explores the countessas fascinating, provocative, and dramatic life in all its mess and glory.

Virginia Verasis, Countess of Castiglione—the nineteenth-century aristocrat, socialite, and beauty—has become famous for the enigmatic and operatic photographs of herself that she choreographed and staged, now seen as masterworks of the art. But her life story is no less extraordinary than her artistic vision, as Benedetta Craveri shows us in this groundbreaking new biography, which draws on archival material and the countesss own diaries to piece together the puzzle that was Virginia.
Eighteen years old when Victor Emmanuel I sent her to Paris on a special assignment, and already renowned as a beauty in her native Italy, Virginia was tapped to persuade Napoleon III to support the cause of Italian unification. Her entrance into the haut monde of Paris was unlike anything anyone had ever seen—a performance by a performer who made the world her stage. When Italy became a kingdom with the emperors backing in 1861, it was in no small part thanks to the role that Virginia had played. But it was not a role that she necessarily wished to play. She wanted to be free at all costs—sexually, financially, artistically—and she resented mens weaponization of her beauty.
The Contessa reveals a woman of many facets and at least as many contradictions, vain and visionary, charming and monstrous, impossible to know and impossible to ignore.
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Ficha Técnica

Editorial: New York Review Books

ISBN: 9798896230472

Idioma: Inglés

Fecha de lanzamiento: 15/09/2026

Especificaciones del producto

Escrito por Benedetta Craveri

Benedetta Craveri (Roma, 1942), nieta del gran filósofo Benedetto Croce, es una estudiosa de la literatura francesa y de la sociedad del siglo XVIII. Siruela ha publicado Madame du Deffand y su mundo (2005), que recibió el premio Viareggio Rèpaci al primer ensayo y fue finalista del premio Giovanni Comisso; María Antonieta y el escándalo del collar (2007) y Los últimos libertinos (2018), finalista del premio Viareggio Rèpaci en 2016. La cultura de la conversación (2007) obtuvo los premios Saint-Simon y Mémorial de la ville d’Ajaccio.
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