Sonny Liew

Chan tiene poco más de setenta años y lleva creando cómics en su Singapur natal desde 1954, cuando solo era un niño de dieciséis. Mientras echa la vista atrás a su carrera de más de cinco décadas de duración, sus historias se presentan ante nosotros en un deslumbrante despliegue de estilos artísticos y formas, y su desarrollo refleja la evolución del panorama político y social de su tierra y del propio universo del cómic, a través de esta obra de ficción.

Mike Carey, el autor de LUCIFER y LAS FURIAS, presenta una de sus obras más personales. El personaje de Frankie, que ya ha sido considerado como la Audrey Hepburn de los cómics, tiene un dios propio... y su propia religión. Pero todo se va a complicar cuando se cruce en su camino un antiguo novio que ha vuelto de entre los muertos y un demonio en busca de venganza.

NEW YORK TIMES BESTSELLER From a bestselling graphic novelist comes a hugely ambitious, stylistically acrobatic work (The New York Times Book Review) that brings us on a uniquely moving, funny, and thought-provoking journey through the life of an artist and the history of a nation.Meet Charlie Chan Hock Chye. Now in his early 70s, Chan has been making comics in his native Singapore since 1954, when he was a boy of 16. As he looks back on his career over five decades, we see his stories unfold before us in a dazzling array of art styles and forms, their development mirroring the evolution in the political and social landscape of his homeland and of the comic book medium itself. With The Art of Charlie Chan Hock Chye, Sonny Liew has drawn together a myriad of genres to create a thoroughly ingenious and engaging work, where the line between truth and construct may sometimes be blurred, but where the story told is always enthralling.

Charlie Chan tiene 70 años y es un maestro del cómic en Singapur. Al repasar su vida y su obra, nos invita a hacer un viaje increíblemente conmovedor, divertido e inquietante a través de su vida y la historia de la nacion, haciendose eco de la evolucion del panorama politico y social de su pais y del propio medio del comic. Sonny Liew consigue reunir, de una manera magistral, una miriada de generos graficos y narrativos para crear una obra realmente ingeniosa y cautivadora en la que, en ocasiones, la linea entre la realidad y la ficcion puede llegar a desdibujarse. "El arte de Charlie Chan Hock Chye" es un clasico contemporaneo de la novela. grafica.

This comic by award-winning graphic novelist Sonny Liew and Hsu Li Yang from National University of Singapore Saw Swee Hock School of Public Health answers questions and dispels the myths and misconceptions about antibiotics.Can antibiotics be used to treat the common cold? How much antibiotics should we be taking?In this easy-to-read book, Liew and Hsu break down the complexity of the medication, effects of overusage and its adaptation in the farming industry.

A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing.Why do the powerful feel so threatened by political cartoons? Cartoons dont tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack.A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesnt just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims.