Biografías, página 171 de 932

Eurydice (c.410-340s BCE) played a significant part in the public life of ancient Macedonia, the first royal Macedonian woman known to have done so, though hardly the last. She was the wife of Amyntas III, the mother of Philip II (and two other short-lived kings of Macedonia), and grandmother of Alexander the Great. Her career marks a turning point in the role of royal women in Macedonian monarchy, one that coincides with the emergence of Macedonia as a great power in the Hellenic world. This study examines the nature of her public role as well as the factors that contributed to its expansion and to the expanding power of Macedonia. Some ancient sources picture Eurydice as a murderous adulteress willing to attempt the elimination of her husband and her three sons for the sake of her lover, whereas others portray her as a doting and heroic mother whose actions led to the preservation of the throne for her sons. While the latter view is likely closer to historical reality, both the good and bad Eurydice traditions portray her as the leader of a faction, an active figure at court and in international affairs. Eurydices activity, sinister or not, directly related to the fact that, at the time of her husbands death, the eldest of her three sons was barely old enough to rule and enemies, foreign and domestic, threatened. Two of Eurydices sons were assassinated and the third died in battle. Eurydice functioned not only a succession advocate for her sons but she also played a part in the construction of the public image of the dynasty, both because of her own actions and because of the ways in which her son Philip II chose to depict and commemorate her. Drawing on recent archaeological discoveries and all surviving literary evidence, this portrait illuminates the life of a remarkable queen at the birth of a celebrated epoch.

The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composers works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible -- together with the soprano Pauline Viardot -- for the revival of the composers Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Glucks music for the Parisian stage. The revival of Orfeo is contextualised among other attempts at reviving Glucks works in the 1860s, and the role of Berlioz, Viardot and a host of others re-examined.

Perpetua was an early Christian martyr who died in Roman Carthage in 203 CE, along with several fellow martyrs, including one other woman, Felicitas. She has attracted great interest for two main reasons: she was one of the earliest martyrs, especially female martyrs, about whom we have any knowledge, and she left a narrative written in prison just before she went to her death in the amphitheater. Her narrative is embedded in a tripartite telling of the arrest and deaths of these martyrs, the Passio Sanctarum Perpetuae et Felicitatis. The other two parts of her tale were written by Saturus, a fellow martyr and probably her teacher, and a nameless editor or confessor, who introduces her circumstances and group and then tells of her death after she stops writing. Her story is steeped in mystery, and every aspect of her life and death has generated much controversy. Some do not believe that she herself could have written the narrative: the circumstances of her imprisonment and the limitations of her ability to write such a rhetorically complex tale are inconceivable. Some believe that her editor was none other then Tertullian, the famous 2nd-3rd century church father and Perpetuas fellow north African. Some, including Augustine, wonder why the feast day was named only for Perpetua and Felicitas and not for her fellow male martyrs. Some believe that these martyr tales were largely fabricated or constructed in order to generate publicity for the early Christians. This book will investigate and try to make sense of all aspects of Perpetuas life, death, and circumstances: her family and life in Carthage, Christians and Romans in Carthage and in the Roman empire in this period, the comparisons of martyrs to athletes, the influence of these martyr tales upon the Acts of the Apostles and the Greek novel, the reactions of later church fathers like Augustine to her story and her popularity, and the gendering of this text.

’An impressive example of what a historian can do in investigating the mixture of unconscious pressures, private motives, and public postures that affect political decisions.’

From the 1930s to the early 1960s civil rights law was made primarily through constitutional litigation. Before Rosa Parks could ignite a Montgomery Bus Boycott, the Supreme Court had to strike down the Alabama law which made segregated bus service required by law; before Martin Luther King could march on Selma to register voters, the Supreme Court had to find unconstitutional the Southern Democratic Partys exclusion of African-Americans; and before the March on Washington and the Civil Rights Act of 1964, the Supreme Court had to strike down the laws allowing for the segregation of public graduate schools, colleges, high schools, and grade schools. Making Civil Rights Law is an insightful and provocative narrative history of the legal struggle, led by Thurgood Marshall and the NAACP Legal Defense Fund, which preceded the intense political battles for civil rights. Drawing on personal interviews with Thurgood Marshall and other NAACP lawyers, as well as new information about the private deliberations of the Supreme Court, Tushnet tells the dramatic story of how the NAACP Legal Defense Fund led the Court to use the Constitution as an instrument of liberty and justice for all African-Americans. He also offers new insights into how the justices argued among themselves about the historic changes they were to make in American society. Making Civil Rights Law provides a compelling portrait of the forces involved in civil rights litigation, bringing clarity to the legal reasoning that animated this Constitutional revolution, and showing how the slow development of doctrine and precedent reflected the overall legal strategy of Thurgood Marshall and the NAACP. It is an important andinformative work for lawyers, and students and scholars of American legal history and the history of the civil rights movement in the United States.

Nearly a half century after her death in 1972, Mahalia Jackson remains the most esteemed figure in black gospel music history. Born in the backstreets of New Orleans in 1911, Jackson during the Great Depression joined the Great Migration to Chicago, where she became an highly regarded church singer and, by the mid-fifties, a coveted recording artist for Apollo and Columbia Records, lauded as the Worlds Greatest Gospel Singer. This Louisiana Cinderella narrative of Jacksons career during the decade following World War II carried important meanings for African Americans, though it remains a story half told. Jackson was gospels first multi-mediated artist, with a nationally broadcast radio program, a Chicago-based television show, and early recordings that introduced straight-out-of-the-church black gospel to American and European audiences while also tapping the vogue for religious pop in the early Cold War. In some ways, Jacksons successes made her an exceptional case, though she is perhaps best understood as part of broader developments in the black gospel field. Built upon foundations laid by pioneering Chicago organizers in the 1930s, black gospel singing, with Jackson as its most visible representative, began to circulate in novel ways as a form of popular culture in the 1940s and 1950s, its practitioners accruing prestige not only through devout integrity but also from their charismatic artistry, public recognition, and pop-cultural cachet. These years also saw shifting strategies in the black freedom struggle that gave new cultural-political significance to African American vernacular culture. The first book on Jackson in 25 years, Mahalia Jackson and the Black Gospel Field draws on a trove of previously unexamined archival sources that illuminate Jacksons childhood in New Orleans and her negotiation of parallel careers as a singing Baptist evangelist and a mass media entertainer, documenting the unfolding material and symbolic influence of Jackson and black gospel music in postwar American society.

Lady Mary Derby (1824-1900) occupied a pivotal position in Victorian politics, yet her activities have largely been overlooked or ignored. This volume places Mary back into the political position she occupied and offers the first dedicated account of her career. Based on extensive archival research, including hitherto neglected or lost sources, this study reconstructs the political worlds Mary inhabited. Her political landscape was dominated by the machinations and intrigues of high politics and diplomacy. As Jennifer Davey uncovers, Marys political skill and acumen were highly valued by leading politicians of the day, including Benjamin Disraeli and William Gladstone, and she played a significant role in many of the key events of the mid-Victorian era. This included the passing of the Second Reform Act, the formation of Disraelis 1874 Government, the Eastern Crisis of 1875-1878, and Gladstones 1880-1885 Government. By exploring how one woman was able to exercise influence at the heart of Victorian politics, this book considers what Marys career tells us about the nature of political life in the mid-nineteenth century. It sheds new light on the connections between informal and formal political culture, incorporating the politics of the home, letter-writing, and social relations into a consideration of the politics of Parliament and Government. It provides a rich investigation of how a woman, with few legal or constitutional rights, was able to become a significant figure in mid-Victorian political life.

On September 26, 1924, the ground collapsed beneath a truck in a back alley in Washington, D.C., revealing a mysterious underground labyrinth. In spite of wild speculations, the tunnel was not the work of German spies, but rather an aging, eccentric Smithsonian scientist named Harrison Gray Dyar, Jr. While Dyars covert tunneling habits may seem far-fetched, they were merely one of many oddities in Dyars unbelievable life. For the first time, insect biosystematist Marc E. Epstein presents a complete account of Dyars life story. Dyar, one of the most influential biologists of the twentieth century, focused his entomological career on building natural classifications of various groups of insects. His revolutionary approach to taxonomy, which examined both larval and adult stages of insects, brought about major changes in the scientific communitys understanding of natural relationships and insect systematics. He was also the father of what came to be known as Dyars Law, a pragmatic method to standardize information on insect larval stages as they grow. Over the course of his illustrious career at the U.S. National Museum, Smithsonian Institution from 1897-1929, Dyar named over 3,000 species, established the List of North American Lepidoptera, an unrivaled catalog of moths and butterflies, and built one of the nations premier lepidoptera and mosquito collections. However, Dyars scientific accomplishments are a mere component of this remarkable biography. Epstein offers an account of Dyars complicated personal life, from his feuds with fellow entomologists to the scandalous revelation that he was married to two wives at the same time. Epstein also chronicles Dyars exploration of the Bahai faith, his extensive travels, his innumerable works of unpublished fiction, and the loss of his wealth from bad investments. Comprehensive and engaging, Moths, Myths, and Mosquitoes will delight entomologists and historians alike, as well as anyone interested in exploring the zany life of one of Americas virtually unknown scientific geniuses.