THE CONFESSIONS OF MAX TIVOLI

So begins The Confessions of Max Tivoli, a heartbreaking love story with a narrator like no other. At his birth, Max''s father declares him a ''Nisse'', a creature of Danish myth: for the baby boy has the external physical appearance of an old, dying creature. Yet, as Max ages, his body will grow younger...Max''s curse will prove also his blessing: in youth, he falls hopelessly for neighbourhood girl Alice. But with age he will grow into a stranger to her eyes, and so be granted another chance at love. Out of the womb in 1871, Max Tivoli looked to all the world like a tiny 70-year-old man. But inside the aged body was an infant. Victim of a rare disease, Max grows physically younger as his mind matures. In Andrew Sean Greer''s finely crafted novel, The Confessions of Max Tivoli, Max narrates his life story from the vantage point of his late fifties, though his body is that of a 12-year-old boy. He has known since a young age that he is destined to die at 70, and he wears a golden ''1941'' as a constant reminder of the year he will finally perish in an infant form. His mother, a Carolina belle concerned over her son''s troubling appearance, curses Max with ''The Rule'': ''Be what they think you are.'' Max fails to keep this Rule only a handful of times in his life, but it is the burden of living by it that wounds him and slowly alienates him from the people he loves. Over Max''s narration of the preceding decades of his life, he offers outsider''s snapshots of San Francisco and all of America across the late 19th and early 20th centuries. Throughout, Greer uses the literary device of reverse aging to interrogate the evolution of social conventions, the finitude of a human life, and the decay of memory. Max wants love. But his curse destines him to deception. He loses his wife, Alice, changes his name, and remains hidden from his own son to keep his true identity secret. Only his lifelong friend, Hughie, stands by Max and can see the person inside the anachronistic body. Like the best science fiction and myth, the novel uses its central conceit to reveal human prejudice and explode all assumptions of normalcy to profound effect.