Alan Bennett

Adapted for the screen by the author from his celebrated memoir, Alan Bennetts The Lady in the Van, is directed by long-standing collaborator Nicholas Hytner. The film tells the true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who temporarily parked her van in Bennetts London driveway and proceeded to live there for 15 years. Their unique story is funny, poignant and life-affirming.The Complete Lady in the Van contains a Foreword by Nicholas Hytner, a substantial Introduction with diary entries by Alan Bennett, the original memoir and the screenplay. The book includes numerous illustrations by David Gentleman, who sketched on set throughout filming, and a colour plate-section including behind-the-scenes photographs and stills from the film

The ebook edition of Alan Bennetts celebrated monologuesAlan Bennetts Talking Heads is pretty much the best thing ever. David Sedaris Alan Bennett sealed his reputation as the master of observation with Talking Heads, a series of twelve groundbreaking monologues, originally filmed for BBC Television, starring Patricia Routledge, Thora Hird, Maggie Smith, Julie Walters, Stephanie Cole, Eileen Atkins, David Haig, Penelope Wilton and Alan Bennett himself. This collection includes: A Woman of No Importance, A Chip in the Sugar, Bed Among the Lentils, A Lady of Letters, Her Big Chance, Soldiering On, A Cream Cracker Under the Settee, The Hand of God, Miss Fozzard Finds Her Feet, Playing Sandwiches, The Outside Dog, Nights in the Gardens of Spain and Waiting for the Telegram. Uplifting, deeply moving, full of humanity and wit, they remain essential, glorious reading.

Two brand-new monologues in the Talking Heads series, as seen on BBC1 and iPlayer Given the opportunity to revisit the characters from Talking Heads Ive added a couple more, both of them ordinary women whom life takes by surprise. They just about end up on top and go on, but without quite knowing how. Still, theyre in good company, and at least theyve made it into print.Alan Bennetts twelve Talking Heads are acknowledged masterworks by one of our most highly acclaimed writers. Some thirty years after the original six, Bennett has written Two Besides, a pair of monologues. Each, in its way, is a devastating portrait of grief. In An Ordinary Woman, a mother suffers the inevitable consequences when she makes life intolerable for herself and her family by falling for her own flesh and blood; while The Shrine tells the story behind a makeshift roadside shrine, introducing us to Lorna, bearing witness in her high-vis jacket, the bereft partner of a dedicated biker with a surprising private life. The two new Talking Heads were recorded for the BBC during the exceptional circumstances of coronavirus lockdown in the spring of 2020, directed by Nicholas Hytner and performed by Sarah Lancashire and Monica Dolan.The book contains a substantial preface by Nicholas Hytner and an introduction to each, by Alan Bennett.

Already a bestseller, this is a wonderfully entertaining collection of Alan Bennetts prose writings. Writing Home brings together diaries, reminiscences and reviews to give us a unique and unforgettable portrait of one of Englands leading playwrights. As a memoir it covers the production of his very first play, Forty Years On, which starred John Gieldgud. His television series Talking Heads has become a modern-day classic; as part of the 1960s revue Beyond the Fringe Bennett helped to kick-start the English satire revolution, and has since remained one of our leading dramatists, most recently with The History Boys at the National Theatre. At the heart of the book is The Lady in The Van, since adapted into a radio play featuring Dame Maggie Smith. It is the true account of Miss Mary Shepherd, a homeless tramp who took up residence in Bennetts garden and stayed for fifteen years. This new edition also includes Bennetts introduction to his Oscar-nominated screenplay for The Madness of King George and his more recent diaries.

Alan Bennetts A Life Like Other Peoples is a poignant family memoir offering a portrait of his parents marriage and recalling his Leeds childhood, Christmases with Grandma Peel, and the lives, loves and deaths of his unforgettable aunties Kathleen and Myra. Bennetts powerful account of his mothers descent into depression and later dementia comes hand in hand with the uncovering of a long-held tragic secret. A heartrending and at times irresistibly funny work of autobiography by one of the best-loved English writers alive today.

Alan Bennetts classic story about Queen Elizabeth IIWhat would happen if the Queen became a reader of taste and discernment rather than of Dick Francis? The answer is a perfect story. The Uncommon Reader is none other than HM the Queen who drifts accidentally into reading when her corgis stray into a mobile library parked at Buckingham Palace. She reads widely ( JR Ackerley, Jean Genet, Ivy Compton Burnett and the classics) and intelligently. Her reading naturally changes her world view and her relationship with people like the oleaginous prime minister and his repellent advisers. She comes to question the prescribed order of the world and loses patience with much that she has to do. In short, her reading is subversive. The consequence is, of course, surprising, mildly shocking and very funny.

Alan Bennetts first collection of prose since Writing Home takes in all his major writings over the last ten years. The title piece is a poignant family memoir with an account of the marriage of his parents, the lives and deaths of his aunts and the uncovering of a long-held family secret. Bennett, as always, is both amusing and poignant, whether hes discussing his modest childhood or his work with the likes of Maggie Smith, Thora Hird and John Gielgud. Also included are his much celebrated diaries for the years 1996 to 2004. At times heartrending and at others extremely funny,Untold Stories is a matchless and unforgettable anthology.Since the success of Beyond the Fringe in the 1960s Alan Bennett has delighted audiences worldwide with his gentle humour and wry observations about life. His many works include Forty Years On, The Lady in the Van, Talking Heads, A Question of Attribution and The Madness of King George. The History Boys opened to great acclaim at the National in 2004, and is winner of the Evening Standard Award, the South Bank Award and the Critics Circle Award for Best New Play.Perhaps the best loved of English writers alive today.Sunday TelegraphUntold Stories is published jointly with Profile Books.

This collection of Alan Bennetts work includes his first play and West End hit, Forty Years On, as well as Getting On, Habeus Corpus, and Enjoy.Forty Years OnAlan Bennetts most gloriously funny play ... a brilliant, youthful perception of a nation in decline, as seen through the eyes of a home-grown school play ... a classic.Daily MailGetting On Winner of the Evening Standard Best Comedy Award in 1971, Getting on is an account of a middle-aged Labour MP, so self-absorbed that he remains blind to the fact that his wife is having an affair with the handyman, his mother-in-law in dying, his son is getting ready to leave home, his best friend thinks him a fool and that to everyone who comes into contact with him he is a self-esteeming joke.Habeus CorpusAfter two elegiac comedies about the decline of old England, Mr Bennett has now written a gorgeously vulgar but densely plotted facre that is a downright celebration of sex and the human body ... a combination of hurtling action with verbal brilliance.GuardianEnjoyEnjoy uncannily foresaw the attitudes to English working-class life now enshrined in themeparks. The classic tug in Bennett between childhod Yorkshire and intellectual sophistication has never been better, or more daringly expressed.Observer

George IIIs behaviour has often been odd, but now he is deranged, with rumours circulating that he has even addressed an oak tree as the King of Prussia. Doctors are brought in, the government wavers and the Prince Regent manoeuvres himself into power. Alan Bennetts play explores the court of a mad king, and the fearful treatments he was forced to undergo. It is about the nature of kingship itself, showing how by subtle degrees the rulers delirium erodes his authority and status.

Auden often said that metre and rhyme led him down unexpected paths to thoughts he wouldnt otherwise have had, and in this respect versification and fornication are not so different. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by amongst others their future biographer and a young man from the local bus station. You are a rent boy. I am a poet. Over the wall lives the Dean of Christ Church. We all have our parts to play.Alan Bennetts new play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passions spent: ultimately, on the habit of art. In the end, said Auden, art is small beer. The really serious things in life are earning ones living and loving ones neighbour.

Its a dwindling band; old-fashioned and of a certain age, you can pick us out at funerals and memorial services because we can sing the hymns without the book. Alan Bennett writes: In 2001 the Medici Quartet commissioned the composer George Fenton to write them a piece commemorating their thirtieth anniversary. George Fenton appeared in my play Forty Years On and has written music for many of my plays since, and he asked me to collaborate on the commission. Hymn was the result. First performed at the Harrogate Festival in August 2001, its a series of memoirs with music. Besides purely instrumental passages for the quartet, many of the speeches are under-scored, incorporating some of the hymns and music I remember from my childhood and youth. The text includes both words and music. Hymn is coupled with Cocktail Sticks, an oratorio without music that revisits some of the themes and conversations of Alan Bennetts memoir A Life Like Other Peoples. A son talks to his dead father as his mother yearns for a different life. Its funny, tender and sad. The pinnacle of my social life is a scrutty bit of lettuce and tomato and some tinned salmon. Mind you, I read in Ideal Home that if you mix tinned salmon with this soft cheese you can make it into one of those moussy things. Shove a bit of lemon on it and it looks really classy.

A sale? Why not? Release all your wonderful treasures onto the open market and they are there for everyone to enjoy. Its a kind of emancipation, a setting them free to range the world ... a saleroom here, an exhibition there; art, Lady Stacpoole, is a rover.People spoil things; there are so many of them and the last thing one wants is them traipsing through ones house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution. People premieres at the National Theatre, London, in October 2012. As with Alan Bennetts previous two plays, The History Boys and The Habit of Art, People will open in the Lyttelton Theatre in a production directed by the Nationals artistic director Nicholas Hytner.- Howre you doing?- Not sure.- Well why dont you get on the mobile to your dick and find out.

Designed to meet the requirements for students at GCSE and A level, this accessible educational edition offers the complete text of The History Boys with a comprehensive study guide. Highlights of Andrew Bruffs guide include:- detailed analyses of character, theme and structure;- a clear introduction to the context of the play and its author;- key quotations and activities both for the student working alone and in the classroom.An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks hes a fool.In Alan Bennetts award-winning and hugely popular play, staffroom rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it, about education and its purpose.

- What were you in life?- In life, as you put it, I was a schoolmaster. The Beth, an old fashioned cradle-to-grave hospital serving a town on the edge of the Pennines, is threatened with closure as part of an NHS efficiency drive. As Dr Valentine and Sister Gilchrist attend to the patients, a documentary crew, eager to capture its fight for survival, follows the daily struggle to find beds on the Dusty Springfield Geriatric Ward. Meanwhile, the old peoples choir, in readiness for next weeks concert, is in full swing, augmented by the arrival of Mrs Maudsley, aka Pudsey Nightingale. Alan Bennetts Allelujah! opened at the Bridge Theatre, London, in July 2018. With an introduction by Alan Bennett.

Alan Bennett is the acknowledged master of the television play. This vintage collection of his work from the 1970s illustrates his skill and mastery of the medium from the beginning. Perceptive, poignant, truthful and very funny, the work here gives as much enjoyment in the reading as it did in the viewing, and provides a welcome addition to the Bennett canon. The television plays included are A Day Out, Sunset Across the Bay, A Visit from Miss Prothero, Me, Im Afraid of Virginia Woolf, Green Forms, The Old Crowd and Afternoon Off. This volume contains a new general introduction by Alan Bennett, as well as the original preface by Lindsay Anderson to The Old Crowd. A companion volume of Alan Bennetts work from the late 1970s and early 1980s is published as Rolling Home.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. Thinking Betty was in the bath Graham was watching a late-night programme on Channel 4 called Footballers with Their Shirts Off when she unexpectedly came in on the trail of the hairdryer.I didnt know you were interested in football, said Betty. No one must ever find out that Graham is not the marrying sort. Certainly not his wife, or his mother. As sex, blackmail and fanatical tidiness take over the West Yorkshire parish of Alwoodley, an unlikely caper unfolds.

You have to keep your ears open for Alan Bennetts Insurance Man. It had visual impact so powerful that you were in danger of missing some very good lines simply because nobody spoke them in close up; you had to catch them on the wing. And if there was one line that summed up both Bennetts play and Kafkas novel The Trial, which provided some of this framework, that line was "Just because youre the injured party, it doesnt mean youre not guilty".Guardian Kafka himself figures in these two brilliant scripts: one a hilarious comedy, the other a profound and searching drama. This edition includes an introduction by Alan Bennett.

"The Uncommon Reader" is none other than HM the Queen who drifts accidentally into reading when her corgis stray into a mobile library parked at Buckingham Palace. She reads widely ( JR Ackerley, Jean Genet, Ivy Compton Burnett and the classics) and intelligently. Her reading naturally changes her world view and her relationship with people like the oleaginous prime minister and his repellent advisers. She comes to question the prescribed order of the world and loses patience with much that she has to do. In short, her reading is subversive. The consequence is, of course, surprising, mildly shocking and very funny.