Lyndall Gordon

Lyndall Gordon en Proscritas recuerda el camino que abrieron las pioneras con ilustrativas y detalladas semblanzas biográficas de cinco grandes escritoras que tomaron la palabra en una sociedad que habria preferido que estuvieran calladas: Mary Shelley (Prodigio), Emily Bronte (Visionaria), George Eliot (Rebelde), Olive Schreiner (Oradora) y Virginia Woolf (Exploradora). Trazando vinculos a veces dolorosos entre su vida y su obra, Gordon escarba en sus ambiguas relaciones familiares, en su deseo de educacion, en su concepcion del anonimato, en su posicion frente a la jerarquia social, los hombres y el sexo, en su rechazo de los artificios de feminidad y en su indagacion productiva en el silencio y la sombra.

Ganador del Premio James Tait Black Memorial, este estudio sobre la vida y la obra de Virginia Woolf en una nueva versión revisada y ampliada por la autora pretende «articular una narración capaz de rastrear tan íntimamente como permita la autenticidad el flujo de memoria e imaginación a lo largo de toda una vida, de manera que veamos a Virginia Woolf tal como ella misma se veía», señala Lyndall Gordon. Su infancia, su relación con su padre, su feminismo, su sexualidad y su matrimonio, el círculo de Bloomsbury, sus crisis nerviosas, las convenciones victorianas, la escritura y su relación con la vida, son sólo algunos de los múltiples aspectos que la autora trata en esta obra.

The revealing of the hidden muse - Emily Hale - the Hyacinth Girl of the famous The Waste Land poem - who influenced the life and art of TS Eliot.Among the greatest of poets, T.S. Eliot protected his privacy while publicly associated with three women: two wives, Vivienne and Valerie, and a church-going companion, Mary Trevelyan. This presentation concealed a life-long love for an American: Emily Hale, a drama teacher who was the source of memory and desire in The Waste Land; she is the Hyacinth Girl. Drawing on the recently unsealed 1,131 letters Eliot wrote to Hale and suppressed in his lifetime, leading biographer Lyndall Gordon reveals both the hidden poet and the muse who was the first and consistently important woman of his life and art. Emily Hale was at the centre of a love drama he conceived and the inspiration for the lines he wrote to last beyond their time. Extraordinary... a rare work COLM TOIBINAs exciting as a detective story MARGARET DRABBLEWill change the way Eliot is seen MIRANDA SEYMOUR

Outsiders tells the stories of five novelists - Mary Shelley, Emily Bronte, George Eliot, Olive Schreiner, Virginia Woolf - and their famous novels.We have long known their individual greatness but in linking their creativity to their lives as outsiders, this group biography throws new light on the genius they share. Outsider, outlaw, outcast: a womans reputation was her security and each of these five lost it. As writers, they made these identities their own, taking advantage of their separation from the dominant order to write their novels.All five were motherless. With no female model at hand, they learnt from books; and if lucky, from an enlightened man; and crucially each had to imagine what a woman could be in order to invent a voice of their own. They understood female desire: the passion and sexual bravery in their own lives infused their fictions.What they have in common also is the way they inform one another, and us, across the generations. Even today we do more than read them; we listen and live with them.Lyndall Gordons biographies have always shown the indelible connection between life and art: an intuitive, exciting and revealing approach that has been highly praised and much read and enjoyed. She names each of these five as prodigy, visionary, outlaw, orator and explorer and shows how they came, they saw and left us changed.

En 1915, en su primera novela, Fin de viaje, Virginia Woolf predecía: «Harán falta seis generaciones para que las mujeres salgan a la superficie». Más de un siglo después, aunque es indudable que en

Jamess friendship with Constance Fenimore Woolson ended in 1894 when he tried to drown a boatload of her dresses in the Venetian lagoon; she had fallen to her death three months before. It was an elusive friendship that echoed his mysterious relationship with Minny Temple who had died twenty years earlier. From their graves, these two women haunted his imagination and his fiction, inspiring the creation of his heroines.

Lyndall Gordon, the acclaimed biographer of T.S. Eliot and Virginia Woolf, grew up in Cape Town, South Africa in the 1950s. This intimate and moving memoir is the story of Rosie, Ellie, and Romy- her closest friends from childhood until their early deaths.Daughters of Jewish immigrants, these girls grew into adulthood together, shaped by their parents and grandparents Eastern European heritages, the stifling atmosphere of their proper girls school, South Africas politics, and the intense pressure within their bourgeois milieu for early marriage. Though miles distanced them as they grew older and went off to New York, Oxford and Paris, their bonds of friendship remained strong, separated only by their untimely deaths.

This prize-winning biography, newly revised, sees Virginia Woolf as she saw herself. The first to set out the private life behind the well-known facts of her public career, A Writers Life rocks back and forth between memories and art to reveal an explorer of the infinite oddity of the human position. Instead of the doom-and-death often imposed on women of genius, here is the robust walker and seeker for what was fertile in her intimacies, in womens nature, and in resistance to power. This edition brings out her ideas for biography itself: to fall on a life like a roll of heavy waters... laying bare the pebbles on the shore of the soul.

Lyndall Gordon was born in 1941 in Cape Town, a place from which `a ship takes fourteen days to reach anywhere that matters. Born to a mother whose mysterious illness confined her for years to life indoors, Lyndall was her secret sharer, a child who grew to know life through books, story-telling and her mothers own writings. It was an exciting, precious world, pure and rich in dreams and imagination - untainted by the demands of reality. But a daughter grows up. Despite her own inability to leave home for long, Lyndalls mother believed in migration, a belief that became almost a necessity once the horrors of apartheid gripped their country. Lyndall loves the rocks, the sea, the light of Cape Town, but, struggling to achieve a life approved by her mother, she tries and makes a failure of living in Israel and then, back once again in her beloved South Africa she marries and moves with her husband to New York. Its in America in 1968 when suddenly Lyndall realises she cannot be, and does not want to be, the woman, the daughter and the mother her mother wants her to be. This is a wonderfully layered memoir about the expectations of love and duty between mother and daughter. The particular time and place, the people and the situation are Lyndalls, but the division between generations, the pain and the joy of being a daughter are everywomans.

Emily Dickinson is regarded as one of the greatest poets of all time, but she has come to us as an odd and helpless woman living a life of self imposed seclusion. Lyndall Gordon sees instead a volcanic character living on her own terms and with a steely confidence in her own talent; a woman whose family feuded over a hothouse of adultery and devastating betrayal and a woman who had her own secret. After her death the fight for possession of Emily and her poetry became the feuds focus.Lives Like Loaded Guns has cracked one of poetrys most enduring enigmas . . . It rescues Dickinson from the image of the passive, heart-broken recluse. It is a worthy monument to a poet even more extraordinary than we realised Olivia Cole, Financial TimesFrom the acclaimed biographer of Mary Wollstonecraft, T.S. Eliot, Charlotte Bronte, Virginia Woolf and Henry James.

The most authoritative life of Eliot ever written, by acclaimed biographer Lyndall GordonT. S. Eliot once spoke of a lifetime burning in every moment. He had the mind to conceive a perfect life, and he also had the honesty to admit he could not meet it.He was a man of extremes whose deep flaws and high virtues were interfused, writes Lyndall Gordon in this perceptive and innovative biography of the great poet. She brilliantly explores his poetry, drama and essays in relationship to the four quite different women in his life and to his time in America and England. The Imperfect Life of T.S. Eliot follows the trials of a searcher whose flaws and doubts speak to all of us whose lives are imperfect.The most valuable single book yet published about EliotJonathan Raban, Sunday TimesSubtle and authoritative Aida Edemariam, GuardianDaring, strong and psychologically brilliantCynthia Ozick, New YorkerAn intellectually demanding, sophisticated and distinguished book... Probing and extremely thoughtfulRichard Bernstein, New York TimesAn awesome achievement Arminta Wallace, Irish Times

Ganador del Premio James Tait Black Memorial, este estudio sobre la vida y la obra de Virginia Woolf —en una nueva versión revisada y ampliada por la autora— pretende «articular una narración capaz d

Winner of the Cheltenham Prize for LiteratureIn this groundbreaking and unconventional biography, Lyndall Gordon dismantles the insistent image of Charlotte Bronte as a modest Victorian lady, the slave to duty in the shadow of tombstones, revealing instead a strong and fiery woman who shaped her own life and transformed it into art. An exemplary biography Jan Marsh, New StatesmanBrilliant and powerful... Gordon brings us the closest we are ever likely to get to an understanding of the source of Charlotte Brontes creative geniusMark Bostridge, TESSensitive, open-minded, vivid, full of psychological insightJackie Wullschlager, Financial TimesMagnificent... Gordons best book and the best thing about Charlotte Bronte yetFiona MacCarthy, Observer

In this stunning new biography of the eighteenth-century writer Mary Wollstonecraft, Lyndall Gordon explores the life of a woman often criticised by biographers, historians and feminists alike. Gordon challenges such slanders, and portrays instead the genius of this extraordinary woman. The two-generation approach to her life examines not only Wollstonecraft herself, but also her effect on her daughters and heirs (Mary Shelley, Fanny Imlay, Claire Clairmont and Margaret Mount Cashell), and the ways in which they carried her influence into subsequent generations.Gordon takes stock of Wollstonecrafts life in accord with her own values rather than through the reputation history has given her. The author looks at her important relationships with Gilbert Imlay and William Godwin, and her ideas about issues such as the problems of communication between the sexes and parenthood. Through this brilliant study, Gordon, the author of biographies of Virginia Woolf and Charlotte Bronte among others, successfully reinterprets Mary Wollstonecraft for the twenty-first century.

En 1837, a los veintiún años, Charlotte Brontë envió sus primeros escritos al poeta Robert Southey con el fin de recabar su opinión. La respuesta fue rápida y tajante: «Señorita, la literatura no es